Formalistic and Dialogic Analysis of The Descent of Odin :: Descent of Odin Essays

Formalistic and Dialogic Analysis of The Descent of Odin      Poems are more that oral communication on a piece of paper, it is a grand play with diametrical characters strewn onto the pages. The Descent of Odin is a poem with a story with a affluent vein of conversation embedded into it. By exploitation the formalistic and dialogic method, I plan on showing you these jewels that I found while training this poem.   The first character that is found in the poem is the voice of the Narrator. When using the Dialogical Method, the lector notices that the voice is obviously an older person. Now, when the poem is turned to Formalistic, get out how the point of view of the Narrator is like a mediator at the beginning at the poem. There he is loo world power out during the blunt transitions between Odin and the Prophetess, then relays it back to the reader (HCAL, Dialogics pg 349,P.O.V. pg. 87, Voice pg, 89). His speech is real sensual and symbolic, which adds to the darkness of the poem. The first example of this is the beginning of the poem where you locoweed read it (HCAL pg 85). Up rose the king of men with speed, And saddled smashing his coal-black steed Down the yawning steep he rode, That leads to Helas drear mansion house (The Descent of Odin, Lines 1-4). Look the wording that he uses for the color of the steed coal-black, the slope of the steep. It causes the reader to take another glance at the poem to visualize what is sledding on with their mind and imagine that they are there watching The king of men ride his horse to Helas abode. The second example is found in the second paragraph. Right against the eastern gate, By the moss-grown pile he sate Where long of yore to sleep was laid the dust of the prophetic wetnurse (Odin, lines 17-20).   Now we take a glance at the voice of Odin, the aright god of war. Fix onto the lines of Odin when he first speaks. His voice is not bring on with flowery language instead it is ve ry plain with even tones. The voice of Odin causes the reader to be pulled back to earth (HCAL pg 87). The voice seems to say, Look at me, listen to me Now look at how he converses with the Prophetess Yet a while my call obey Prophetess awake, and say.